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1501 in Music- Sources

Description: Fill in the missing words relating to the first lecture on 1501 (sources).
Keywords: 1500, music, notation, printing, history, , online teaching


1. This built on the work of #, who printed words in this way previously.
A) Gutenberg

2. Music notation originated in the # century, with neumatic notation.
A) 11th

3. By the 13th and 14th centuries, notation began to take its # form.
A) modern

4. From the 14th century, music began to be arranged by part instead of layed out in # format.
A) score

5. Two benefits of arranging notation in this way were that it was more #, and individual lines were more coherent for the performer.
A) economical

6. However, one problem with this layout was that performers could not see what their colleagues were # as easily.
A) singing

7. When music printing was first invented, this meant that transmission of polyphony was much easier and therefore became more widespread, but the parts were still #.
A) expensive

8. Petrucci initially ran the pages through the printing press # times, but he later combined the processes of printing words and of printing the stave in order to make the process more efficient.
A) three

9. Pierre # developed on this to create an all-in-one printing method for notation in the 1520s.
A) Attaignant

10. Petrucci was also probably the first to create small part books that were oblong in shape. While according to # partbooks were %22very popular%22, it still may be argued that the oblong shape was a %22commercial mistake%22, used simply to make the alignment process easier. (See p42, Composers and Their Songs).
A) Fallows

11. Petrucci%27s first publication included mostly #.
A) chansons

12. This was probably on the recommendation of Petrus #, a Dominican friar and music collector. (See Stanley Boorman article).
A) Castellan

13. Petrucci was probably the first to include # to rich donors and famous people in his sheet music, for two possible reasons. Firstly, the manuscripts produced before Petrucci%27s printed notation were produced on commission and therefore did not require a dedication. More over, Petrucci may have been using an appeal to celebrity, to draw in the public.
A) dedications

14. Despite the developments in music printing around 1500, many # continued to use custom made manuscripts, perhaps as a show of status and wealth, or for their aesthetic value. An example of this may be seen in the elaborate manuscript of %22Canon in honour of Henry VIII%22, in which the notation wraps around a red rose in a circular shape.
A) aristocrats